▦
4 channels, live & record
Monitor all four cameras at once while ISO recording in your selected codec.
LIVE
TC 01:59:21:26
/
REC 00:00:24:18
/
CAM 01–04 ON AIR
/
NDI · DECKLINK · VTP
/
4K · 10BIT · 4:2:2
Replay the moment. As it happens.
now2replay is a four‑channel live replay engine for sports broadcasters, eSports directors and VAR crews. Four cameras. One instant operator. Zero frames missed.
now2replay · 0.0.1
RECORDING
TC 01:59:21:26
CAM 01CAM 02CAM 03CAM 04PGM
now2replay · trim
EDIT
≤ 2 frames
mark‑to‑play latency
4 × ISO
independent record tracks
// 4-CHANNEL SCRUB · LIVE REPLAY
Scrub four cameras.
Scrub four cameras.
One timeline.
Pick a channel to solo it. Click ALL to keep all four in sync. The same currentTime scrub that drives now2replay — no build, no framework.
CAM 01
ISO 01
TC 00:00:00:00
CAM 02
ISO 02
TC 00:00:00:00
CAM 03
ISO 03
TC 00:00:00:00
CAM 04
ISO 04
TC 00:00:00:00
SCRUB HEAD
TC 01:59:21:26
// FOCUS PRODUCT · NOW2REPLAY
One operator.
One operator.
Four cameras.
Infinite replays.
now2replay is engineered around a single idea: when the moment happens, you should already be playing it back. Four channels record continuously to local SSD in your choice of codec. Mark in & out from any camera while still live.
- ≤ 2 framesmark‑to‑play latency
- 4 × ISOindependent record tracks
- 1 × PGMswitched record + output
- ∞ clipsplayable highlight stack
CAM 01–04 ON AIR
REC 00:00:24:18
// SUITE 02 — capability set
Everything a replay operator
Everything a replay operator
would build for themselves.
Capture
Faster
Every camera, every frame — always recording.
Stay in
Control
One record, one timeline, one truth.
Mark
Smarter
IN & OUT on the fly, even during live play.
Publish
Anywhere
SDI, NDI, RTMP, SRT — every destination.
Built for
Broadcast
Engineered around 24/7 TV operations.
⇆
4‑channel simultaneous seek
Scrub through all four recordings in lock‑step and insert a sync highlight in one move.
⏱
Triple timecode modes
Record Run · Embedded (SDI/HDMI) · Time‑of‑Day.
♫
Up to 16 channels of audio
Capture 16 discrete audio tracks per camera; map, mix and embed any combination on export.
VAR
Seek to air (VAR)
Push the seek view itself directly to the referee monitor for video‑assist decisions.
⇩
Export the playlist
Render the full playlist as a single file, or a stack of clips with handles and TC baked in.
⚙
DeckLink · NDI · VTP IO
Use any combination of DeckLink SDI, NDI streams and VTP sources as input & output.
▤
Multiview monitoring
Quad‑split multiview with PGM, PVW and per‑channel audio meters in a single layout.
- Per‑channel seek & insertPick a different frame per camera, then push a composed multi‑angle clip.
- Air the playlistRoll the entire stack live with transport, speed and loop.
- Independent record qualityProRes / DNx / H.264 / H.265 separated from the on‑air codec.
- Clip‑level loopingFlag any clip as looping for instant replay rolls.
- Export loop‑only clipsStitch and export only loop‑flagged clips for social.
- Variable playlist speed‑10 / ‑20 / ‑30 / +0.5 or any custom speed in between.
- Live in/out markingSet IN & OUT while still in LIVE — already a clip.
- Trim‑line scrub & searchClick any timeline position to instantly jump there.
- Trim‑mode directionForward / reverse seek, configurable speeds.
// SUITE 02B — record & export formats
Two pipelines.
Two pipelines.
The same source media.
Bitrate, resolution and codec are three independent axes. Mix any quality preset with any resolution and any supported codec — they are not coupled.
// 01 · RECORD FORMAT
captured to local SSD in MJPEG
Every ISO track records the chosen preset. Any preset × any resolution works.
BITRATE PRESET
apply to any resolution
Low
~ 30 Mbps
153 MB / min
Medium
~ 50 Mbps
268 MB / min
High
~ 75 Mbps
384 MB / min
Very High
~ 100 Mbps
768 MB / min
Ultra
~ 150 Mbps
1 GB / min
Maximum
~ 200 Mbps
1.5 GB / min
RESOLUTION
any preset, any resolution
720p1280 × 720
1080p1920 × 1080
2K2048 × 1080
4K UHD3840 × 2160
AUDIO · FPS
per ISO track
Audio2 — 16 channels
Frame rate25 · 30 · 50 · 60 · 100 · 120 fps
TimecodeRecord Run · Embedded · Time‑of‑Day
CodecMJPEG
Any of the 6 bitrate presets combines freely with any of the 4 resolutions and any 2–16 channel audio layout. Choose per‑channel, mix & match.
// 02 · EXPORT FORMAT
rendered in any container & codec
Pick a container, pick a codec from that container's allowed list, pick a resolution and a bitrate preset — they combine freely.
MP4
- mpeg4
- nvenc
- h264
- mjpeg
- mpeg2video
MOV
- mpeg4
- nvenc
- h264
- mjpeg
- mpeg2video
- prores LT
- prores Standard
- prores LHQ
- prores 4444
- dnxhd LB · HQ · SQ · SQX · 444
MXF
- mpeg2video
- dnxhd LB · HQ · SQ · SQX · 444
- prores HQ
MXF D‑10
- mpeg2video
AVI
- mpeg2video
- mpeg4
- mjpeg
- h264
- dvvideo
- rawvideo
TS
- mpeg2video
- h264
- nvenc
MPEG
- mpeg2video
BITRATE PRESET
same 6‑step scale as record
Low~ 30 Mbps
Medium~ 50 Mbps
High~ 75 Mbps
Very High~ 100 Mbps
Ultra~ 150 Mbps
Maximum~ 200 Mbps
RESOLUTION
any preset, any resolution
720p1280 × 720
1080p1920 × 1080
2K2048 × 1080
4K UHD3840 × 2160
AUDIO
per output file
Channels2 — 16
CodecAAC · MP3 · PCM · AC‑3
Sample rate44.1 · 48 · 96 kHz
Pass‑throughany track → any output
Any container × any allowed codec × any resolution × any bitrate preset × any 2–16 channel layout. They are independent.
// SUITE 03 — on‑air workflow
One operator.
One operator.
One source of truth.
Three operators. Three UIs. One replay.
Most replay rooms run three separate apps: a recorder, a switcher & a trimmer. now2replay collapses them. The operator runs the show from a single cockpit — record, mark, compose and air from the same window.
Traditional replay stacks drift out of sync. now2replay does not.
- ×Timecode drift between record & play devices
- ×Re‑importing clips between tools, one frame at a time
- ×Audio out of sync because of mixed timecode modes
- ×Operator juggling three licences & three keyboards
- ×Clip export locked to whoever is at the trim station
TRADITIONAL WORKFLOW
- Recorder
- Switcher
- Trimmer
- Playout
- → On‑air
WITH NOW2REPLAY
RECORD
SWITCH
TRIM
PLAY
On‑air in < 2 frames
// SUITE 04 — multiview & distribution
Every source,
Every source,
every destination.
One multiview & one output ladder — even for hybrid IP / SDI control rooms.
INPUTS
DeckLink
SDI · HD‑SDI · 3G‑SDI · 12G‑SDI · HDMI
NDI
up to 16 streams · PTZ tally return
VTP
Video Transfer Protocol · up to 4K 25p over 1 Gbps network
now2replay · MULTIVIEW
ON AIR
CAM 01
CAM 02
CAM 03
CAM 04
REPLAY · 00:00:24:18
OUTPUTS
DeckLink
SDI · HD‑SDI · 3G‑SDI · 12G‑SDI · HDMI
NDI
PGM stream to stream decks & graphics
VTP
Video Transfer Protocol · up to 4K 25p over 1 Gbps network
